Giorgio Vasari

1511-74 Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.


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Giorgio Vasari Taking of Pisa oil


Taking of Pisa
Painting ID::  30506
Taking of Pisa
mk68 Fresco, Florence,Palazzo Vecchio, Salone del Cinquecento 1563-1565 Italy
   
   
     

Giorgio Vasari Self-Portrait oil


Self-Portrait
Painting ID::  30510
Self-Portrait
mk68 Oil on wood 39 1/2"x31 1/2" Florence,Uffizi, 1566-1568 Italy
   
   
     

Giorgio Vasari Recreation by our Gallery oil


Recreation by our Gallery
Painting ID::  32563
Recreation by our Gallery
mk79 About 1558
mk79 About_1558
   
   
     

Giorgio Vasari Sala di Clement VII oil


Sala di Clement VII
Painting ID::  33232
Sala di Clement VII
mk83 Palazzo Vecchio Florence
mk83 Palazzo_Vecchio_ Florence
   
   
     

Giorgio Vasari Portrat of Lorenzo de Medici oil


Portrat of Lorenzo de Medici
Painting ID::  38470
Portrat of Lorenzo de Medici
mk137 1533 oils on linen 90x72cm Galleria deglI Uffizi, Florence
   
   
     

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     Giorgio Vasari
     1511-74 Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.

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